Category: Engineering

  • Should You Invest In A Classic Car?

    Should You Invest In A Classic Car?

    No.

    That was easy. Next…

    Okay, okay. Worn out, mentally and physically broken, tired mechanic writing here. But I’ll do my best to expand.

    In my childhood, my ol’ man bought a series 1 E Type, 4.2 roadster in what should have been pristine condition for ten grand. He put it through the workshop, sorting through the mechanical, electrical and cosmetic imperfections. Sold it for about twenty five thousand pounds.

    And made a loss, of something like eight or nine thousand. The interim work took nearly a thousand hours, parts, trim, paint and materials. The car, like so many others, was hiding a good deal of rot and crash damage behind the suspiciously shiny coat of paint that could not possibly have been identified at purchase.

    An expensive roll of the dice then for him, but the next owner within about fifteen years had an immaculate example worth about a hundred grand.

    A profit of £75k, and all with the fun of owning the most beautiful car ever made?

    Well, he should have done a little better than my poor old man did, but all is not as it seems.

    Classic cars suffer the same accounting trick as horses. In the intoxicating auction room (literally in lots of cases, you’ll be plied with all the champagne you can consume to loosen up your bidding arm), everybody forgets about the bit in between purchase and sale. And that looks something like this…

    • Storage. You wouldn’t leave £5k, £50k or £100k in cash in a heap on your driveway open to theft, the weather and carelessness, so don’t be thinking that’s good enough for your car. The thing is, if you cover it, it deteriorates where you can see it. If you don’t cover it, it deteriorates out of sight. You’re going to need a garage, or professional storage that on average, is going to cost you £50 a week.
    • Maintenance. Cars move, and wear up. Cars sit still, and seize up. Assuming all things being equal, you’re going to have to budget £2500 per car, annually, for servicing and maintenance. You might think you’ll be lucky and get away with it, but with a fragile, underdeveloped classic made from perishable materials, I promise you, there will always be ‘something’. Fuel systems particularly suffer with the higher concentration of ethanol we have to cope with these days. 
    • Repairs. The E Type hiding an inch of filler (bondo, for any American readers) manifested itself by microblisters forming in the paint, the tip of the proverbial iceberg. Classics have a nasty way of concealing suprises like this, and it’s almost impossible to foresee. These things have, by definition, had a life of at least twenty five years – in the case of modern classics, that’s about twenty years beyond design life. So expect the unexpected.
    • Restoration costs. Spiralling costs of absolutely everything has a huge knock-on effect on the cost of restoration. Long gone are the days of a ten grand rebuild – think closer to a hundred thousand for a full nut and bolt rebuild of just about any car, with costs rising rapidly for anything unusual, specialist, weird and wonderful.

    If my calculations are correct, assuming maintenance and storage costs, that’s a cost of £76,500 over the fifteen year period, and a net loss of £1500. Store it in your own garage, you say? Insurance. Tax. Fuel. Pest control. ‘Storage rash’ (expensive paintwork damage caused by careless movements around the car). You aren’t that much better off.

    Occasionally, you might get lucky. It’s only really the top end of the market – the playground where Arabian oil princes bid against each other with limitless budgets to secure exclusivity – that moves enough to compensate. A Ferrari F40 can be bought for around £1.5/2m now, and it will be a £5m car in my lifetime.

    Should you do it? No.

    I do get it though. Cars to me, are moments in time. The sound of a Sierra power steering pump straining at full lock takes me back to happy times navigating a train station car park. The smell of exhaust fumes and the sound of an off-beat V8 still makes the hairs stand up on my arms.

    If, like me, you have the ‘car thing’ in your blood and under your skin, here’s some advice that might make the road to ruin less rocky.

    • You can predict quite easily which cars at ‘our level’ will rise and fall. What did someone who is forty five now, want when they were twenty? That means, climbing now are hot hatches. I actually had a ropey old shed of a Mk1 Golf GTi that I bought for about £300, ran it out of test and sold on for spares. That very car would be a £5k machine now, as saggy as it was. If you want to get ahead of the curve – get hold of the kind of cars I used to play with on the PlayStation. Colin McRae Rally, Need for Speed and all that will be good for Impreza and Evo’s. I also believe in what I’ve called the ‘Top Gear’ effect. Who would have thought an original Peel P50 would be worth £120,000 now? The Renault Avantime, Toyboata-era Hilux and even the Lexus LFA (which I guarantee you wouldn’t have made any fuss about if Clarkson hadn’t liked it) are all good tips I reckon. Even my beloved L322 is ticking up in value because he called it ‘the best car ever made’, and mine isn’t even the desirable one.
    • Play the market to your advantage. If you want to predict those that fall, it’s cars that belong to the generation that are ageing beyond being able to cope with them. Iconic British cars for the generation above mine are all taking a hit now – Big Healeys, Astons and Jags, that E Type that was worth about £100k seven or eight years ago has probably halved now. Bad news for current owners, good news for aspiring owners. Really good news for strange younger folks like me, with my strange affection for Riley RME’s. I’m rather hoping you’ll be able to get a good one for about £5k in a few years.
    • Always buy the best you can. I’d never personally restore a car, or commission a restoration. You’re going to lose it for over a year, and the cost will be approximately the GDP of the UK. Far better, to buy the very best you can, and if you want to tailor it, then by all means do. For example – one day, I will have a Triumph TR6. They’ve softened a bit too, and they’re all £25k now – on the basis that a minter is £25k, a £20k car needs £5k investing in it, a £15k needs £10k and so on. Whatever the car, spend another couple of thousand at purchase than another ten down the line.

    Appreciate them for what they are. Don’t expect your old car to behave like your daily, especially if your everyday car happens to be powered by electricity. With all the modifications in the world, you can’t undo poor build quality, old school materials and designs – you’ll only be disappointed by trying. Make sure you can cope with heavy steering, advisory brakes, the smell of unburnt fuel and more frequent maintenance required. By and large, the market respects originality too. So many owners invest huge sums of money to make ‘RS Replica’ or ‘Evocation’ cars from original examples, and slash their value as a result. I’m not really a purist, I respect everyone’s impression of what their car should be… But most don’t.

    And for gods sake, drive it. It’ll thank you for it. Engines need oil circulation, brakes need using, fuel needs burning. Most of the cars I work on suffer from lack of use these days, rather than wearing out.

    The cars we love are also increasingly becoming like horses, as they became in the post-war era. Once commonplace, now owned by a few well-heeled individuals. We have the investment market to thank for incredible events that celebrate cars, like Goodwood – but it’s sad, really, that thoroughbred cars that once charged past in dual carriageways making boys and men smile, now rarely see the light of day. My Dad used his Escort Cosworth every day, and it now sits beautifully restored, behind a velvet rope in a museum. Like a stuffed sabre toothed tiger.

    You’d better hope I don’t win the lottery, or I’m going to buy an ultra low mileage Ferrari from a collectors auction, and leave a big, black number eleven in the exit doorway as I drive home.

  • What To Expect When You’re (Managing) Expect(ations) – The Restoration Game

    What To Expect When You’re (Managing) Expect(ations) – The Restoration Game

    This piece is inspired by the completion of my latest work project. And, I hope that someone out there might find it useful to peruse, if considering embarking on the restoration or modification of a classic car. We might cover a number of aspects here – but mostly, it’s real, lived experience from the perspective of the man that built the damn thing.

    You’ll get here, the reality. Not a dream sold to you by a suspiciously well spoken man in a tweed jacket with elbow patches – but the reality of engaging in a restoration. Real timelines. Real frustrations, but real triumph, too.

    The 1966 Chevrolet C10

    First off – a bit about me. I’m good at my job, as bold as that may sound. Nearing twenty years now in the classic car restoration game, having restored a number of British classics professionally – Triumph TR4, 5 and 6’s, E Types, big Healeys, small MG’s as well as an award winning 1989 Range Rover Vogue. I grew up in, around and underneath classic cars. I’ve borne witness to multiple restorations by other outfits, helped along the way in a number of cases. And every. Single. Time. it follows the same pattern.

    A year long timescale of a restoration looks something like this:

    • Months 1-3: we’re off. Spec and scope agreed. Disassembly, parts catalogued, shell may be blasted, progress is tangible and rapid.
    • Months 4-6: in the case of the Chevy, the ‘dry build’ happens here. In most cases, it’s reconstruction phase. The rot is three times as bad as you thought it was, and repair panels never, ever fit. Cue much swearing, welding burns, slippage and scope creep.
    • Months 6-9: If your buttons are done up, chrome and trim happens here, alongside any upholstery work that can be carried out alongside what you ought to be doing in the workshop. This could be prep and paint.
    • Months 9-12: The paint will be late. The trimmer won’t have quite finished, and the poor mechanic will be chewing his fingernails off, knowing that the deadline has been and gone. Seeds of discontent are sown here, as the bills inexorably pile up, and the client struggles to see what he’s got for his money.
    • Months 12-15: The mechanic gets the opportunity for some heroics, as engines are swinging from cranes, the big stuff starts getting bolted on and the car starts to look like, well, a car… The knot in the clients stomach eases a little, although painful, the end is surely in sight.
    • Months 15-18: Impatience sets in. We’re all aware the clock is ticking, made worse because it actually looks like a car here. Tantalising, tempting… We’re all exhausted. Our eyes close at night we all see the silhouette of the car inside our eyelids.
    • Months 18-21: Snagging. Snagging. Replacing new parts that don’t work, with cleaned, polished, refurbed or reengineered old ones that somehow are still superior quality. Swearing, impatience, scope creep and regret creep in. The handover of the project is spoiled by missed deadlines and never quite enough time to settle the car down. A few weeks of back-and-forth between the workshop and the owners home, before Winter and a sheet is thrown over the car until next spring. When it will require recommissioning.

    Sold yet?

    Where we started

    No, nor would I be on the face of it. Every day the car is away from home is a problem, however necessary. It would be better to think about a car restoration in the same way one might contemplate a house restoration. Smaller in tangible size, but intricate to make up for it. A similar range of skills required but far, far less margin for error – you see absolutely every detail. And, the older the house, the more bodges there are to undo. The more rot is hidden.

    The more bespoke you go, the more complex the job. Every additional component needs a bracket. Everything electrical needs another wire. Or two. Or five. And every individual wire needs cutting, soldering, heat shrinking, routing and terminating. Timescale? First thing to go out the window. Closely followed by the budget as we, the willing, led by the unknowing, doing the impossible for the ungrateful, do so much with so little for so long, end up qualified to do anything with nothing… Something like that, anyway!

    I should go on record and say that Mr C10 is respectful, appreciative and understanding of what I’m doing here, if a little… Tired, now.

    But.

    To consider a restoration in purely the black and white would be to miss the point: it lives and dies in the grey. There is another truth, that every. Single. Car. That I’ve been involved in the restoration of, is rarely just that – a car.

    It’s a moment in time. A realisation of a dream. A connection to a time or place that meant something. Cars, to car people, are more than just a heap of wires and metal used to make commuting easier. They capture the essence of something – either a nostalgic throwback, or an extension of our personality. You can, in fact, tell a lot about a person by their car. Even if it’s a ‘white good’ car to the point it’s a statement – you don’t care about cars, therefore we can infer you are pragmatic, apathetic or (whispers) boring. Your car is a mirror – think about that, and look outside onto your driveway – what does your car say about you?

    A Morris Minor. Characterful, cheerful, full of charm.

    A Jaaaag. Loveable rogue. Falling apart.

    A Land Cruiser. Farmer.

    A Land Rover. Wanting to look like a farmer.

    An Isuzu D-Max. Actually a farmer.

    A Lamborghini. Powerful. Rich. Not very well endowed.

    Every single car is a statement, whether you like it or not. Even a car that is ‘image free’ is telling everyone you ‘don’t care about your image’.

    The Chevrolet C10 is in fact, the realisation of a childhood dream, where a similar car sat on a corner near to where the owner lived. Built to be the wildest, most extreme form of hot rod it could be, the brief was non-exhaustive, from the LS3 engine to the replica Winchester hanging behind the drivers head.

    Cos, why wouldn’t you?

    The finished product is stunning. But the middle bit, was serious graft. Testing my skills and abilities to the absolute limit – I picked the job up after the previous builder had stalled the project. The challenges there were unimaginable – not knowing where the previous builder had finished and we were to begin, how much had he finished ‘properly’, how much needed remaking? Fortunately, the quality of the workmanship was very high. But unfinished – so it left me with some of the tricky still – making wiring looms from scratch, commissioning the air suspension system pre and post build. One particular challenge that will be burned into my mind forevermore, was mating the late Corvette power steering pump to the vintage spec power steering box. Necessary because the parts had already been purchased, they were expensive, imported from America (lead time becomes an issue) and a mismatch, resulting in overpowering the steering box and blowing the bottom out of it. I had to design and make an adjustable, external pressure relief system… Routing through and oil cooler, a swirl pot and a complex network of high pressure hoses necessary to reduce pressure and prevent cavitation. For a power steering pump!

    Can you see how this fits into my year-long timescale?

    The latest component failure is the (customer supplied) inadequate and poor quality, Chineseium suspension compressors failed and dumped the truck on the floor. So, I’ve upgraded to Discovery 3 spec items – two of them – necessitating all new pipework, wiring through relays and recalibration.

    The speedometer – another adventure, it took me a little longer than it should have to understand that the factory loom and sensors do not support a speedometer input, so grafting in a GPS sensor was the order of the day…

    Mighty compressor setup on the way

    On the road? It’s absolutely insane. Over 500bhp with next to no weight on the rear. Mad, candy red paint, 22 feet long, ghost flames on the bonnet and switchable exhausts from loud to AC/DC-at-full-tilt-playing-in-your-bedroom, it’s going to be noticed. What might not be noticed are the details I’m most proud of. The epic wiring loom that you can’t see. The bespoke brake pipes, the stainless steel fasteners, the hours and hours on wiring – did I mention that? My work has mostly been like your home broadband. It’ll be doing its job if nobody talks about it, in the end.

    What I hope they do talk about, is the bespoke buck liner where every strip of wood is cut from the same grain – so wheel arch liners and hatch for the air suspension servicing all follow.

    It’s a rare thing for a machine like this to exist based on decisions that my own tired, worn out hands made along the way.

    We’re there now. To consider only the time and the money would be to miss the point of restoration – to bring a dream alive. To connect the owner with a moment in history. To wear, as a badge of achievement for how far he has come in life to enable such a thing. It’s amazing. Truly, it’s been a pleasure.

    It is, however, time for it to go home. Let some other car can occupy the inside of my eyelids for a while.

    Done